Bem vindo, Convidado
Minha conta
AuctionTricks 406 | Licitante | Quantidade | Encontro |
|---|---|---|
| s****3 1 | $150.00 USD | 04/11/2025 04:23:44 |
"In Phedon's usual style, every single detail is meticulously explained so that the reader gains a full understanding of all of the underlying principles at play. No stone is left unturned, and there are nuggets of gold in virtually every single paragraph Phedon writes. Admittedly, this makes the writing dense, but if you take your time and fully digest each bit of information before moving to the next, you'll walk away dumbfounded by the thinking that goes into each moment of Phedon's routines and tools. It is a huge reason why his work is, in my opinion, the best work for mentalists being released today. His material is clearly worked and transformed into masterpieces with detailed paint strokes that make the material leap from the page and resonate directly with the spectator's emotional feelings which causes the work to surpass logic and feel real."
- An extract from Madison Haglers Review of Orpheus
The Cartesian Q&A...
"Phedon is the Master, and we are but students."
- Millard Longman
When Phedon set his mind on creating the ultimate Q&A routine the results were amazing, even one of Phedon's closest friends (Romanos) regards this as the strongest routine that Phedon has released to date. Requiring no props, billets or expensive electronics this devastating Q&A can be performed any time, place and anywhere.
The Most Powerful Material Imaginable...
"People could start a cult with this!"
- Madison Hagler
There is no question that the' Q&A' represents one of the strongest routines within mentalism. Yet, most performers shy away from it owing to the various technical and mechanical demands that are required to pull it off convincingly.
Never before has there been a more direct route for any performer to add this routine into their repertoire. Requiring no switches, no steals, no one ahead, this entirely prop-less approach alleviates all of the hard work leaving the performer free to concentrate their efforts almost entirely upon the presentation.
Please consider the following points:
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